Written on June 19, 2015 and then posted on Facebook June 30, 2015
Yup, I had to look it up, too. An organization named “The Art Story” has laid it all out for you (in what seems like good crib notes for students awaiting a final exam): https://www.theartstory.org/definition/gesamtkunstwerk/
My immediate response to reading the above text resulted in this:
https://en.wikipedia.org/wiki/Rudolf_Arnheim
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If you asked yourself what in God’s name was the passage we discussed today, the corollary might be, and why does someone want to review such a page? Well, the answer to the former is to be unveiled very slowly and painfully over the next 165 postings (give or take) in this series, but an immediate answer to the latter is right at your digital fingertips (and faster is you have a credit card or that paypal thing!).
Back in 2016, before being a substack series, after being posted as a facebook series, there was this print and online version made available to the masses by the Rosenberg Foundation in Australia during a special exhibit in 2016. It came about as there was unexpected public demand due to the fact that it’s difficult to read 600 pages while standing up during a very crowded art exhibit. Especially with that small typeface…
…which are still available with payments going to the maintenance of the Rosenberg Archives and Museum (even though it seems to be in a “peacefully comatose” status for now, not to be confused with cryogenic stasis).
Here are links to free previews of the “original” (3.0) and the art-object versions (3.1, the three copies currently valued at $8,000) and public-consumption version (3.1.1). Unlike the previous two tomes in this series of examinations of the world of Dr. Johannes Rosenberg (The Pink Violin and Violin Music in the Age of Shopping), mail order copies (digital and print) are unlimited but only as long as the self-publisher “Blurb” provider continues to survive in a vicious capitalistic literary landscape. Other reviews are encouraged though the Chief Describer has not yet found anyone to follow his direction. Plans to read and review James Joyce’s Ulysses in the same manner have been completely abandoned, though also encouraged as I’d love to read that/read it that way!